Scholars have already proposed several interpretations of the steps of geometric construction methods preserved on drawings (Meckseper 1983 Hoppe 1995). According to the few remaining medieval graphic sources of architecture, master masons had invented or learnt methods for the geometrical approximation of the figure. 2015: 62–63 Corry 2013), but seems to have been rather ignored in the architectural practice of the Middle Ages (Kidson 2008: 10). The correct construction of the regular pentagon was commonly known (Scriba et al. Besides the several methods, the figure was used in different stages of design, which will be described within the scope of this paper, with pentagonal forms detected in medieval buildings throughout Europe (for example, England, France, Germany, Bohemia, Hungary) from the Early Middle Ages to Late Gothic times (Fehér et al. Assessing the frequency of its architectural application is not as simple as it seems. The occurrence of pentagons in medieval architecture tends to be considered as rare scholars have suggested that its correct geometrical construction was unknown among artists or architects until the early 16th century, despite being known in liberal arts education (Meckseper 1983: 34–35 Hoppe 1995: 143). However, the architectural application of this form is not nearly as obvious as, for instance, geometric figures of even number of sides. Besides these, considering its deep and fundamental symbolic meanings, the pentagon may also have played an important role in medieval culture (Ginovart et al. It is clear that the most frequent simple geometric forms that master masons used during their design work were the regular triangle and the square. Although, due to its rich bibliography, several questions have been answered with highly significant results, new questions keep emerging. The design methods of medieval architects represent a topic of countless aspects.
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